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XEEN CF Cine Prime Lens Lineup Completed with Addition of 2 New Focal Lengths

2020-02-18

XEEN CF Cine Prime Lens Lineup Completed
with Addition of 2 New Focal Lengths
 

February 14th 2020, Seoul, South Korea – Global optics brand Samyang Optics announces the availability of the compact and lightweight XEEN CF 16mm T2.6 and 35mm T1.5 cine primes for PL, Canon EF and Sony E mount, completing the lineup of 5 XEEN CF models. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now offering the primary lens set of 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5.

A Journey to Innovate to Lead Global Filming Trend
After introducing professional cinematography brand XEEN in 2015, the XEEN team had in-depth meetings with cinematographers around the world and discovered rising needs for smaller and lighter equipment. A challenge was that the basic material, steel, has to be changed since there was a limit to reducing the weight. The team found carbon fibre which is used for aerospace, automobiles, and sporting goods for its lightweight and stiffness, but this material is rarely used for precision machinery for its difficulty in molding. “A journey for innovation had begun. Finding carbon fibre required an out-of-box approach, and molding the delicate fibres into a certain shape and size coping with glass elements inside took several months even for R&D designers with decades of experience,” the Product Development Manager recalls. Also, the cost premium of carbon fibre was another challenge to overcome in order to provide the lens for both renowned and aspiring cinematographers.

Winning the iF Design Award for Usability and Design
XEEN CF was introduced in late 2019 as a result of vigorous tests. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels. In February 2020, XEEN CF was awarded by prestigious iF Design Award 2020 for its compact design and usability by integrating robust carbon fibre. Especially, maintaining high image quality for large sensors with compact size was highly recognized. The futuristic lens body design with fibre weave reflecting the creativity of cinematographers was also applauded for its aesthetic. “We are grateful for the recognition of design and practicality by respected iF Design Award. We will continue to innovate and challenge status quo to introduce perfect partner for filmmaking,” stated by Product Development Manager.

Compact and Flexible for Diverse Filming Situations
XEEN “CF” stands for both “Carbon Fibre” and “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. 

Capture Delicate Emotions in 8K
As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene.

Main Features
1. Bright T1.5 and T2.6 apertures enable filming in low-light situations and give full control over feeling of depth.
2. Compatible with large image sensors (43.3mm image circle).
3. X-Coating provides distinctive look by controlling internal reflection and produces dramatic images.
4. 11 aperture blades create beautiful, circular bokeh.
5. Carbon Fibre in lens barrel delivers light weight and durability.
6. Standard Ø95mm front size is fully compatible with matte boxes.
7. Available in PL, Canon EF and Sony E mount.
8. Luminous paint used for model and distance markings allows effortless use, even in extremely low-light environments
9. Focus and aperture ring locations uniform across all models, with improved gear design and weighting for smooth rotation.
10. Consistent 200-degree wide angle of rotation enables fine focus adjustment.
11. Bidirectional scale on both sides of lens body enables easy verification and operation.

 

More details of the XEEN CF complete prime lens set, in 5 focal lengths, can be found on the XEEN official website and social media channels below. 

- XEEN website: www.xeenglobal.com 
- XEEN Instagram: www.instagram.com/xeenglobal 
- XEEN Facebook: www.facebook.com/xeenglobal 


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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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