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A Great Option for Astrophotography for Canon RF Users

Daniel Gangur

Photographer from Australia

A Great Option for Astrophotography for Canon RF Users

 

 

 

 

Samyang have just announced another lens for Canon’s full frame mirrorless RF mount cameras. Unlike the previous lenses the MF 14mm f2.8 and MF 85mm f1.4  this time they are bringing us an auto focus lens, the Samyang AF 14mm f2.8 RF. I believe this is the first native Canon RF mount auto focus lens from a third party manufacturer, nice work Samyang!

 

Samyang are well known for their 14mm lenses amongst nightscape photographers, 14mm is their most popular focal length, so it makes sense that their first auto focus lens for the RF system is this one.

 

Some info directly from the Samyang Optics website

 

The world’s first AF 14mm F2.8 for RF mount is designed for users to enjoy a broader perspective

in mirrorless cameras. The compact lens design dedicated to mirrorless cameras is packed with 113.9 degree of broad angle of view and fast and precise autofocus function.

 

The World’s First  AF 14mm F2.8 for RF Mount

 

To meet the growing market for mirrorless cameras and user needs, Samyang introduces the world’s first AF 14mm F2.8 lens dedicated to RF mounts. In addition to MF 14mm F2.8 and MF 85mm F1.4, you can meet Samyang Optics’ optical technology with AF.

 

Compact Lens Design Optimized for Mirrorless Cameras

 

The compact lens design dedicated to mirrorless cameras eliminates the need for adapters, resulting in shorter flange back. Experience a compact mirrorless camera lens that is only 9.5cm long and weighs 484g.

 

40 years of optical R&D technology has created the minimum distortion for this ultra wide angle lens. Enjoy a broader perspective of 113.9 degree with minimum distortion and deep and spacious image.

 

Outstanding Image Quality from Corner to Corner

 

Among 14 lenses in 10 groups, 6 special lenses are used to effectively adjust the light flow and reduce the abberation. 3 aspherical lenses, 1 high reflective lens and 2 extra-low dispersion lens provides impressive image quality from corner to corner of image.This lens is the best partner for your outdoor photography with the enhanced features.

 

Enhanced User Experience

 

Weather sealing protects the lens from dust, light rain and snow, AF-MF coverting switch enables you to capture the fine details and rear filter holder at the mount also gives you the choices of images you can create.

 

 



 

 

Initial thoughts  

I received this lens before it was announced and was asked to take images for Samyang’s global release, you may have already seen some of my Astro photography and hands on images from this lens on Samyang’s website and social media so I have had a good chance to test it in a variety of situations, but first lets talk about build, looks, operation etc.

 

My copy arrived in a plain white box typical of a lens not yet announced so unfortunately I can’t comment on retail packaging or what may be included when the lens hits the shelves.

 

On opening the box I was happy to see this wasn’t simply an adapted version of their EF mount lens, like the MF 14mm f2.8 RF but rather a lens designed for Canon’s RF mount.

 

The lens is built very similar to Samyang’s other auto focus lenses, metal body, modern design that looks great on modern cameras like the Canon EOS R, metal focus ring, metal lens mount, plastic hood (permanently attached) and the Samyang red ring around the body.

 

The lens is nice and compact, smaller in diameter to the EF mount 14mm f2.8, it mounts nicely on the EOS R’s RF mount.

 

Looking closer at the lens I noticed a weather sealing gasket around the mount and a rear gel filter holder, nice! While on the subject of filters I can confirm that this lens accepts Haida filters 150mm holder for the MF Samyang 14mm f2.8, so anyone moving to Canon’s full frame mirrorless can hang onto their holder if they purchase this lens, I’d imaging it would also be similar for other brand holders.

 

 

Again like all Samyang’s auto focus lenses, this lens is focus by wire.

 

 








Lets get into it

As mentioned earlier I was sent this lens before the official announcement from Samyang to capture images for their global marketing and release of the lens, the deadline was tight but I got super lucky with clear skies on the first night. I spent most of the night shooting with the lens wide open, single images, images for stacking etc etc to get a good feel for how it performed when shooting the night sky.

 

Coma. Samyang’s previous auto focus lenses have been great performers for shooting the stars and this new AF 14mm f2.8 RF is no different, all looks pretty good, but there is slight coma in extreme corners (batwing) you need to pixel peep to really notice. There is a little purple fringing that is easily removed in post, no big deal.

 

Sharpness. The images are sharp, but not quite as edge to edge sharp as Samyang’s XP14mm f2.4 or AF 14mm f2.8 EF, not many lenses are. I’d put this new lens on par with the AF 14mm f2.8 FE (Sony mount) from Samyang, looking at specs I’d assume they are actually the same or or very similar lenses.

 

Focussing. For astrophotography you generally use manual focus, this lens works as intended on the Canon EOS R. I did shoot with auto focus but I will leave that for later in the review.

 

Vignetting. There is some vignetting wide open, you could correct this but I leave it in my nightscapes to help draw focus to my subject.

 

Here are some images from the first night using the lens.

 

 

 

Above, Canon EOS R, Samyang AF 14mm f2.8 RF. Settings – 8 x images stacked for noise reduction all at 14mm, f2.8, 20sec, iso 6400. Lit by lumecubes right and left.

 

 

 

 

Above, Canon EOS R, Samyang AF 14mm f2.8 RF. Settings – 12 x images stacked for noise reduction all at 14mm, f2.8, 20sec, iso 6400. Lit by lumecube from left.

 

 

 

Above, Canon EOS R, Samyang AF 14mm f2.8 RF. Settings – multiple images stacked for noise reduction all at 14mm, f2.8, 20sec, iso 6400. Lit by lumecube from right.

 


 

Above, Canon EOS R, Samyang AF 14mm f2.8 RF. Settings – multiple images stacked for noise reduction all at 14mm, f2.8, 20sec, iso 6400. Lit by lumecube from right.

 

 


 

Above, Canon EOS R, Samyang AF 14mm f2.8 RF. Settings – multiple images stacked for noise reduction all at 14mm, f2.8, 20sec, iso 6400. Lit by lumecube from right.

 

Hope you enjoyed the above images, these are all stacked for noise reduction using Starry landscape stacker. Reason I mention this is so you are aware they are post processed for noise reduction along with star reduction. This is my standard post processing method for nightscapes.

 

Here are some images with minimal post processing.

 

 

  


 

Above – Canon EOS R, Samyang 14mm f2.8 RF. Settings 14mm, f2.8, 20sec, iso 6400

Lit by lumecube air, left.

  

 

 

Above – Canon EOS R, Samyang 14mm f2.8 RF. Settings 14mm, f2.8, 20sec, iso 6400

 

Lit by lumecube air, left.

 


 

Above – Canon EOS R, Samyang 14mm f2.8 RF. Settings 14mm, f2.8, 20sec, iso 6400

 

Lit by lumecube air right, lumecube left.

 

The above three images are all single shots processed in Lightroom.

 

Next up some 100% crops with no post processing. Images were simply cropped in photoshop and converted to jpeg in Lightroom. My method for the crop is to zoom in to 100% in photoshop and crop that portion. Hopefully this gives you a true idea of performance. 

 




Above full unedited image, no post processing.




Above – Centre crop



Above – Top left corner crop


 

 

Above – Top right corner crop

 

 

As you can see from the above images the lens performs well as far as coma is concerned, there is coma in the extreme corners, is it a problem? No its pretty minimal and we are only really noticing it because of the 100% crop. The performance here is pretty damn good.

 

So this lens is going to be fantastic for Canon full frame mirrorless users when it comes to nightscape, milky-way and low light photography, it performs well and there really isn’t much competition at the moment, its going to be popular! But how does it perform during the day?

 

I’m not going to go to far into that here on Nightscape Photographer, it’s a bit off topic. I will write a seperate review in the future over on my new site www.danielgangur.com If you would like to be alerted to that future review, head over and subscribe. But I did take the lens away on a trip to Tasmania recently, here’s a few shots from that trip.

 

 

 

 

 

 

 

 

 

 

 



 

Yep the lens performs pretty good during the day too, it’s sharp, straight lines are pretty straight. The Auto focus system works as it should and is accurate, keep an eye out for that future review.

Conclusion
The Samyang AF 14mm f2.8 RF is a great option for Canon full frame mirrorless camera users, it is sharp, has good coma performance and distortion seems well controlled.

It is a unique lens in that it is the first Auto focus 14mm built for the Canon RF mount and only third party Auto focus lens at present for this mount.

Given the above the Samyang AF 14mm f2.8 RF will be a popular lens with photographers using Canons full frame mirrorless system. Do I recommend it? Short answer yes, it is a great option for nightscape photography for Canon full frame mirrorless users.

Price here in Australia will be $1149 and will be available at the end of this month (November).





 

 

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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

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D7200
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* Cameras released within 5 years from 2019 are tested.

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