PRODUCT REVIEW

MF 14mm F2.8 Z

The great ultra-wide z-mount lens that thankfully doesn’t require an external adapter Chris Dalton 2019-04-24
Samyang Lens Reviews - Chris Dalton

MF 14mm F2.8 Z



Build Quality

Upon first inspection, the ultra wide angle lens is a very solid build, fashioned primarily from metal. Overall it has a fairly reasonable weight due to its metal construction and is larger than I expected - due to the in-built Nikon Z-mount adapter fixed to the rear. The 14mm lens has a bulbous front glass with fixed plastic petal hood and sturdy cap that mechanically clips onto the hood for secure protection.

The rubber focus ring is laid into the metal lens, is pleasing to the touch, and very smooth to manipulate. The smallest focus adjustments can be made simply with the slightest of controlled turns.
Bevelled notches in the metal aperture ring allow for quick and easy changes of aperture from f2.8 up to f22.

The lens build as a whole is built to last, and looks attractive - especially alongside the Nikon Z body of a similar colour style and functional aesthetic.


Image Quality

Focusing

The key issue for me before trying out this lens was the manual focus and how well it would work. Having only ever owned auto-focus lenses I was intrigued as to how my shooting style would adapt, and how the Nikon Z6 would cope. In general I was honestly very impressed.



The key benefit of using a Nikon Z6 or Z7 mirrorless body with a manual lens is in its focus peaking system. Combined with the MF 14mm I can easily tell which areas of the scene are in focus and which are not. As a cityscape photographer who likes to use depth in my shots where possible, this proves an invaluable tool, especially close to the lens where it’ll focus to 28cm. Focus peaking here allows me to quickly and clearly check where the true focus of the lens is. If it isn’t initially clear on the screen or electronic viewfinder, then I can zoom in using the side buttons and make minor smooth rotations of the aperture ring to find the perfect focus. 

When out shooting there were some occasions where the focus was incorrect, but I’d largely put those errors down to the impatience of someone who has relied on autofocus lenses. Taking a photo with this lens requires more time at each scene to ensure it is correctly focused, but on the whole the Nikon Z6/Z7 and Samyang MF 14mm proves to be a great combination - especially when using focus peaking.

Picture Quality

The images are very sharp in the central region, providing crisp details when zoomed in. There is some reduction in sharpness when moving towards the corners however, but its not a significant issue. Distortion is also present across the corners/sides as you might expect with such a wide angle lens in this price bracket. However, that can be corrected somewhat in post-production as can the noticeable vignetting towards the edges at lower apertures. Despite this, and for the large part I am very satisfied with the quality of images taken.


 

 

Utilising the higher apertures and in the right environmental conditions, the lens gives a clean 6-pointed lens flare. In my opinion it looks great and provides a slick look for night time photography especially. Low light photography works very well with the lens, and the f2.8 aperture is very useful for astro photography or nighttime cityscape work.

Nikon Z6 Compatibility 

Using the Nikon Z6 with this lens generally works well. However, there is limited talking between the lens and body. The Z6 doesn’t recognise the aperture or focal length in camera and those details are not shown in the exif data. There is also no in-lens stabilisation, but the low-light capabilities and stabilization performance of the Z6 (or Z7) outweigh that issue for me. 


Conclusion

Bearing in mind the target price range and comparable lenses in the market I am very impressed with the Samyang MF 14mm F2.8. It is a great ultra-wide z-mount lens that thankfully doesn’t require an external adapter (I’ve already forgotten mine a few times when out shooting!). Perfect manual focusing is simple to achieve, particularly with the focus peaking capabilities of the Nikon Z series cameras. Whilst there are some issues with vignetting, distortion and exif data, the image quality is excellent. The lens is well built and hard-wearing for many environments, and will certainly be a staple in my current camera bag.







Chris Dalton  
@chrisjdalton  





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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to shoot easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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